The WOW shows are always a spectacle, as shown in this image from the 2023 WOW Show BEYOND, Open Section.
Master of Design student Nan Walden, Te Aitanga-a-M膩haki, has always loved the concept of wearable art. And this year, a long-held dream of hers has become a reality, as a garment she has created has made it into the 2024 World of WearableArt (WOW) show.
Nan created her entry alongside her mother Jann Lenihan, who is an artist and Massey alumna. The duo had wanted to enter WOW for a number of years, but life got in the way.
鈥淚鈥檝e always loved the concept of wearable art. My undergraduate degree was in fashion and my mum鈥檚 an artist and we both watched the show and the competition evolve from when it was first started in Nelson to when it got bigger and came to Wellington and then went international,鈥 Nan says.
With 2024 presenting Nan with the opportunity to take a year off from full-time teaching to focus on her master鈥檚, thanks to a Teach NZ scholarship, it seemed like the time was right to enter the prestigious wearable art competition.
鈥淭his year I had the time, the facilities and the opportunity to also write about the process for my master鈥檚, so we decided to enter.
鈥淢um had been experimenting with creating different materials and I had been looking at the colonisation of New Zealand and the fashion that came with it. M膩ori fashion in the 1840s was quite Victorian. We kept sending each other photos back and forth and we鈥檇 get together, and we鈥檇 experiment with the materials. It鈥檚 really hard to look at our garment and say, 鈥業 did that bit鈥 or 鈥榮he did that bit鈥 because it鈥檚 been such a collaboration.鈥
During the creation process, Nan wanted to combine her whakapapa M膩ori with her mother鈥檚 whakapapa P膩keh膩 to come up with something that would represent what New Zealand is today, and what they鈥檇 like to for the future of the country.
鈥淪he鈥檚 got such a presence, she鈥檚 so sophisticated. You wouldn鈥檛 think that the material could do that. It鈥檚 very cool.鈥
Once the garment was complete, they had to send in 10 photos, one video and a narrative piece explaining their creation to the WOW judging team. From there, pre-selection took place, which required the garment to be sent down to Nelson to be viewed in person. After that, the finalists were announced.
Nan and Jann won鈥檛 get to see their creation again until the awards night in September. WOW organises models, choreographers and dressers who work backstage to get the models into the garments. Nan and Jann get to sit back and enjoy the show with the audience.
Working together on the project has been a rewarding experience, Nan says.
鈥淏eing able to work and get to know each other as adults in a relationship other than mother and daughter, more like artist and artist, has been amazing. But we also have the advantage of being mother and daughter, so we know when we need to calm down a bit or when we鈥檙e about to kick off.鈥
Master of Design student Nan Walden (right) with her mother Jann Lenihan at a past WOW event.
She鈥檚 enjoyed having the opportunity to enter the competition this year, as well as spend it focusing on being creative. She鈥檚 now on the home stretch of her master鈥檚, with one final paper to go.
鈥淢y master鈥檚 focuses on contemporary M膩ori fashion and korowai and how those pieces can help decolonise educational spaces. I鈥檒l be taking my pieces back to my work, displaying them and just breaking down those barriers of white spaces.鈥
Nan is the Design and Evaluation Lead Te Ao M膩ori and Te Ahuaha Hangarau Kaiako (Creative Technology Teacher) at Wellington East Girls鈥 College.
Tickets to the 2024 WOW Show: DREAM AWAKE are available .
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